Fatboy Slim Norman Cook Collection Rar
The cover of 's breakout album, You've Come a Long Way, Baby, was a good clue to the contents, picturing as it did thousands of LPs straining the racks in 's record room - undoubtedly just a small portion of his massive collection of sampling material. Inside, unfolded a party record for the ages, long on fun (though understandably short on staying power), chock full of samples pillaged from all manner of obscure soul shouters and old-school rap crews, triggered and tweaked ad nauseam.
The Fatboy Slim/Norman Cook Collection is a compilation album released by British big beat musician Fatboy Slim on Hip-O Records in 2000. Norman Quentin Cook (born Quentin Leo Cook; 31 July 1963), also known by his stage name Fatboy Slim, is an English DJ, musician, multi-instrumentalist and record.
With his third LP, 's pulls away slightly from the notoriously fickle pop charts and crossover kids courted on his last record. Instead, he makes a conscious attempt to inject some real hedonism back into the world of dance - he is a DJ, after all. After a short intro, tears into an acid techno rampage named 'Star 69,' a track that takes few prisoners and sounds closer to than.
Despite the torrid pace set early on, there's still quite a bit of the used-bin scavenger left in; the most patented big beat anthems here, 'Ya Mama' and 'Mad Flava,' include all the expected displays of crowd-moving hip-hop calls, unhinged beatbox funk, continual drum breakdowns, and plenty of rawk riffs. The first single, 'Sunset (Bird of Prey),' is another potential crossover move, featuring what is easily the album's most recognizable sample source - from. Sniffy electronica purism aside, though, remains, if not the best overall producer in the dance world, certainly in its top rank. Recruited collaborators for the first time - nu-soul diva, funk legend, fellow superstar DJ/producer - and the two tracks with, 'Love Life' and 'Demons,' are the highlights of the album. 's ample production talents are served best with a vocalist lending focus, and 'Love Life' is a seven-minute ride veering from dirty, warped funk to noise-heavy hip-hop breakdowns while scats, growls, and purrs with clearly audible glee.
In all, is possibly 's best possible statement after being - nearly simultaneously - picked up by a multitude of notoriously fickle pop consumers and thrown away by his previously rock-solid dance fanbase.
Nelly May Lois Cook
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